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Snake Eyez (A lo​-​fi affair)

by Satch Kerans

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Snake Eyez 03:26
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about

Recorded in my home studio- it's raw - or should I say organic. If you want to the lyrics to any songs just shoot me an e-mail on FB. As always thanks for your encouragement and support. If you have any questions about a track shoot me an e-mail for that too. I'll be posting the record on Facebook.

Thanks!
Satch

REVIEW!! MONOLITH COCKTAIL
Brian Bordello
Liverpool UK

Thank Fuck for this album. I have been sitting here sifting my way through pure musical pap for the last hour or so sent by various PR companies, looking for something that might have some chance of moving me in some way, and then I remembered about this album that was sent to me for consideration over social media by Satch Kerans. And I’m so glad he did. This is an album originally released in 2016 but has been re-tweaked and reissued; Kerans hoping it may get the attention it didn’t the first time around. It’s an album of well-written songs with melodies, heart, soul and humour recorded at home: blessed with that lovely lo-fi warmth. An album filled with simple drum machine, hand held percussion, twangy Fender guitar and song writing talent. At times it reminds me how a Wilco demo might sound and Satch’s voice does have the similar quality and timbre to that of Jeff Tweedy or especially Dennis Wilson on the Beach Boy’s like ‘Back Where We Started’.

Satch is blessed with a love of rock ‘n’ roll that radiates from this album, as he has soaked up his influences of Dylan, Springsteen, The Byrds, The Clash and an obvious love of 60s /70s pop melody. Hopefully Snake Eyez will get the attention it deserved the first time around.

credits

released August 22, 2016

Tom Satch Kerans all songs, vocals, instruments, etc.

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all rights reserved

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about

Satch Kerans Boston, Massachusetts

"Years after settling into an entirely different identity and new set of priorities - Kerans reemerges with some of the best songs he's ever written. At the collection's core Is a clutch of sturdy melodies and classic pop structures...kerans gets better and surer with age".

Jonathan Perry
The Boston Globe
... more

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